George Gessert is an artist whose work focuses on the overlap between art and genetics. His exhibits often involve plants he has hybridized or documentation of . George Gessert has a BA from the University of California, Berkeley, and an MA in fine art from the University of Wisconsin, Madison. From to the present. George Gessert THEIR SILENCE IS A GIFT Interview by Arjen Mulder The question of beauty is a natural one for breeders of ornamental plants and flowers for.
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George Gessert – Wikipedia
The question is, what kind of awareness does this serve? American artists American male writers Living people BioArtists. Signs of Life gsssert the first book to focus exclusively on art that uses biotechnology as its medium, defining and discussing the theoretical and historical implications of bio art and offering examples of work by prominent artists.
The focus gworge most bio art is not beauty. Flowers that look like other flowers are much like unwanted horizon lines or faces that emerge from tangled brushstrokes.
Can our interactions bring joy into the world? The market is, of course, concerned about profit, not beauty, however we define it.
And is your bio geodge meant to fulfill them? Can living things in galleries help remind people that all forms of life heorge intrinsic value? My job is to facilitate. The viewer is confronted by the mystery of physical reality and by the workings of his or her mind before that reality. So the beauty of plants can be elegiac. We’re already part of a continuum of matter and energy.
I was terrified, and suddenly, before my eyes, the flowers in the garden melted into a lava-like mass of color.
Many of tessert aesthetic choices I make when I select plants are the same as I make when I paint. Such an animal might have considerable aesthetic appeal. And with just a little generosity of spirit, we can recognize them as our kin. Towards an art of Evolution.
Some of these partnerships go back thousands of years. The rainforest of domestication: In the meantime artists have worked out problems of exhibiting organisms in the biologically hostile environments of traditional galleries and museums, and as a result, it is no longer surprising to see nonhuman creatures on display.
One can breed plants as a way of getting to know them.
George Gessert Georhe artist. InGessert published Green Light: From to the present, his work has focused on the overlap between art and genetics, with a particular interest in plant aesthetics and the ways that human aesthetic preferences affect evolution.
Gessert, George 1944-
The handbooks succeed geoege they provide a degree of order and validate popular aesthetic preferences. In the light of art, the challenge for the plant breeder is to recognize aesthetic value in new life forms.
When you say plant-breeding helps us to understand our relationship with nonhuman life, can you be a bit more specific?
In one memory, flowers are frightening.
George Gessert: Genetics and Culture
Help Center Find new research papers in: What Kac aims for is heightened public awareness of the new social terrain being created by technology. Certain visual formulas work. Notes on genetic art by George Gessert 1 edition published in in English and held by 1 WorldCat member library worldwide. But beauty in commercial breeding is defined and limited by commercial concerns: Many commentators have addressed the social and political concerns raised by making art out of living material.
That dualism dominated Western gallery art until very recently. If you could choose, would you want to become a plant — maybe reincarnate as a Pacifica iris? Many forms of life are more graceful than we are, more kinesthetically intelligent, far more patient, immeasurably less destructive.