and Alan Lomax have given me permission to quote from unpublished manuscripts of .. culture” (Merriam, ), but it is important that this definition be Le g^nealogie des instruments de musique et les cycles de civilisation. Archives. Alan Parkhurst Merriam (1 November – 14 March ) was an American cultural anthropologist and ethnomusicologist. He is known for his studies of. Antropologia della musica by Alan P. Merriam, , available at Book Depository with free delivery worldwide.
|Published (Last):||16 July 2004|
|PDF File Size:||14.84 Mb|
|ePub File Size:||6.84 Mb|
|Price:||Free* [*Free Regsitration Required]|
In his own writings, he emphasizes the application of data gathered in the field to solving relevant musical problems and how such application is motivated by the approach and goal of the researcher. Merriam is characterized by a drive to solve relevant problems using data merrian in the field hands-on. Another aspect of ethnomusicology which Merriam sought to make clear in The Anthropology of Music is the overarching goal of the field of ethnomusicology.
Antropologia della musica – Alan P. Merriam – Google Books
Merriam claims the goals of ethnomusicology cannot be realized by considering music to be an object separate from the humans aoan make it, and therefore argues for the sake of an anthropology of music. Thirty-One Issues and Concepts This definition of ethnomusicology comes in response to a number antropplogia other important ethnomusicology authors, such as Jaap Kunst, who defined ethnomusicology via the types of music studied in the field.
On People Changing Their Music. This page was last edited on 2 Decemberat He is known for his studies of music in Native America and Africa.
merram Merriam’s initial work was based on fieldwork carried out in his native Montana and central Africa. The New York Times. This simplified model was used by Rice as a foil to the method he was proposing, consistently referencing how his model furthered things accomplished by the Merriam model. Views Read Edit View history.
University of Illinois Press. Alan Parkhurst Merriam 1 November — 14 March was an American cultural anthropologist and ethnomusicologist. Merriam divides his stated goals of ethnomusicology into three different approaches, the first being the appreciation of the music of other cultures. His father was the Chairman of the English department at Montana State University, and his mother was a highly skilled cellist. From Wikipedia, the free encyclopedia.
Alan P. Merriam – Wikipedia
Merriam had, like all ethnomusicologists, completed fieldwork in his area of interest, but he was mrriam by his peers in ethnomusicology as being more scientific and focusing on drawing conclusion from data. Ethnomusicologists American anthropologists American Africanists births deaths People from Missoula, Montana Victims of aviation accidents or incidents in Poland Guggenheim Fellows 20th-century musicologists.
Born to a highly musical household in Missoula, Montana, Merriam began studying piano and clarinet at a young age. A Discussion and Definition of the Field.
Antropologia della musica
This definition embodies the purpose of the entirety of The Anthropology of Music, being that ethnomusicology is not weighed further in favor of the ethnological or musicological, but instead an inseparable amalgamation of the two. During his younger years, Merriam performed in numerous school bands and local dance orchestras.
He edited the Newsletter of the Society for Ethnomusicology from toand he edited the journal Ethnomusicology from to Along with the musicology school, these two factions of ethnomusicology make up a large population in the world of ethnomusicology and they are often at odds. Neither should be considered as an end in itself; the two must be joined into a wider understanding. Retrieved from ” https: He undertook extensive field research among the Flathead Indians of Montana in for his PhD and again in Thirty-One Issues and Concepts, Articulating this relationship, Merriam states.
The Continuity of change: Human behavior produces music, but the process is one of continuity; the behavior itself is shaped to produce music sound, and thus the study of one flows into the other”.
Although he taught at Northwestern University and University of Wisconsinthe majority of his academic career was spent at Indiana University where he was named a professor in and then chairman of the anthropology department from towhich became a leading center of ethnomusicology research under his guidance.
Our science, therefore, investigates all tribal and folk music and every kind of non-Western art music. Hood was more interested in creating a graduate student body that could accomplish the egalitarian purpose of ethnomusicology in spreading world musics and preserving them. Due to its nature as a field at the intersection of several disciplines, ethnomusicology takes on many forms and is viewed through many lenses, highly dependent on the goals and background of the ethnomusicologist.
A member of the musicology school of ethnomusicology, Hood was known for initiating an important ethnomusicology graduate program at UCLA. HerskovitsRichard A. The purpose of this book is to create a better understanding of the anthropological aspects of music, defining ethnomusicology as not the study of the music of non-western cultures, but instead as the study of the relationship which music bears to society.